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ziarci: Frida Kahlo, June 15, 1919. Guillermo Kahlo
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fountofknowledge: The prodigious Julia Pastrana was known by many monikers during her life and perhaps just as many names in death. Both her life and her death are rather sad tales, but they hold a very special place in sideshow history because, for a time, she was not considered a member of the human race. Julia’s origins are shrouded in mystery. It is believed that she was born in 1834 to a tribe of ‘Root Digger’ Indians in the western slopes of Mexico. However, what is highly obvious is that Julia had appearance unlike any marvel before her on record. In addition to excessive hairiness over her body – predominately in the face – Julia also possessed a jutting jaw and swollen gums. In odd juxtaposition to her ape like features, Julia possessed great poise, and a well developed a buxom four and a half foot figure. Her documented career began in 1854 as she was exhibited in New York at the Gothic Hall on Broadway as ‘The Marvelous Hybrid or Bear Woman’. Her ‘handler’ was one M. Rates who allegedly discovered the young Julia as a servant girl to the governor of Sinaloa, Mexico. While in New York, Julia attracted the attention of many scientific minds and media moguls. One newspaper described her as ‘terrifically hideous’ and possessing a ‘harmonious voice’ – which gives evidence that she sang during her exhibition. One of the members of Medical society to examine her was Dr. Alexander Mott who declared her ‘the most extraordinary beings of the present day’ and ‘a hybrid between human and orangutan’. Julia then moved on to Cleveland with a new promoter, J. W. Beach, and it is there that Dr. S. Brainerd declared her a ‘distinct species’. That analysis was, of course, quickly added to all subsequent promotional materials. Julia impressed many with her charm and grace. When invited to attend a military gala, she waltzed with many of the braver men there and, while in Boston – billed as the “Hybrid Indian: The Misnomered Bear Woman – Julia again impressed with her grace and singing voice. So much so that she was put on exhibition by both the Horticultural Society and the Boston History Society. Julia was preceded in London, England by impressive newspaper announcements touting her as ‘a Grand and Novel Attraction’. Now going by the epithet ‘The Nondescript’ – a term that in this era mean something unexplainable – Julia was now being show by one Mr. Theodore Lent and was a rousing success. In fact, the bulk of the documentation on Julia comes from this time period, when London reporter could not stop debating her origins and describing her appearance in lengthy articles. In these articles, Julia is described as being very civilized and domestic. In addition to her native language, she also spoke Spanish and English quite well. She loved to travel, cook and sew. She willing gave herself to medical examination and was said to have an eager thirst for knowledge. These articles also seemed to emphasize that she was both happy and content with her situation and she did not covet wealth – though her ‘handler’ Mr. Lent surely did. During her performances in London, Julia sang romances in both Spanish and English and danced what are described as ‘fancy dances’ – likely traditional Spanish numbers. After London Mr. Lent secured a tour of Berlin and in Leipzig, Julia played the leading role in a play called Der curierte Meyer. In the play, a young German boy falls in love with a woman who always wears a veil. When the young man was not on stage, Julia would lift her veil to the great amusement of the audience. The play ends with the young man finally seeing his beloved – and being cured of his infatuation. Following the play, the weekly magazine Gartenlaube published an extensive interview with Julia – an article published with a fantastic life sketch by the artist H. Konig (pictured above). The article consisted of Julia speaking on her tours of America and London and of the numerous marriage proposals she had received. She claimed to have turned down over twenty admirers because ‘they were not rich enough’. That was a response that the reporter suspected Mr. Lent had coached – in the hopes of attracting a rich suitor. That notion was short lived and Mr. Lent, wary of loosing his investment in Julia to rivals, married her in 1857. While there is evidence that Julia was infatuated with her husband, Mr. Lent was not a kind man. While in Vienna he forced Julia to undergo sensitive physical examinations and barred her from leaving their apartment during daylight. As their tour through Poland and on to Moscow continued, Mr. Lent became more and more controlling. In late 1859, while in Moscow, it was discovered that Julia was pregnant. The doctors feared a difficult childbirth due to Julia’s stature and narrow hips; however Julia was more concerned that the baby should take after its father. On March 20, 1860 her fears were confirmed when she gave birth to a hair covered newborn boy. The child lived only thirty-five hours. Julia died five days later. During her lifetime Julia, though treated little more than an object by her promoters, did meet many influential people. She was visited by P.T. Barnum himself and even Charles Darwin acknowledged her in his book The Variation of Animal and Plants under Domestication with the words ‘Julia Pastrana, a Spanish dancer, was a remarkably fine woman – she had a thick and masculine beard’. Her condition at the time was unknown, yet given all the evidence: excessive hair, melodic voice, dental deformations and a child born with excessive hair– it is likely that she suffered from a form hypertrichosis lanuginose. All of her interviews and personal anecdotes promote the idea that she was a happy and content woman – pleased with her lot in life. Yet, one is left with a sour feeling when reflecting on the events of her life. However, that is nothing compared to the feeling one suffers when recounting her afterlife. Shortly after her death, Mr. Lent continued his commercial aspirations with Julia. He sold her corpse, as well as the body of his son, to Professor Sukolov of Moscow University. The Professor took the bodies to his Anatomical Institute, dissected them, and then – using unknown embalming techniques – mummified the bodies of Julia and her son. The entire process took six months and the results, while macabre, were impressive. Unlike the mummies of ancient Egypt, these mummified remains retained their color, texture and form and appeared very lifelike. Sukolov placed the mummies in the anatomical museum of the University where they attracted great crowds.
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This photograph instantly melted away my anger and put a smile on my face.
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Seventeen-year-old Bianca Passarge of Hamburg dresses up as a cat and dances on wine bottles in June 1958. Her performance was based on a dream. She practiced for eight hours a day to do this. So we’re told. Photo by Carlo Polito (BIPs/Getty Images). Via BYT.
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“The Blue Chair” by Josephine Wilson
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ziarci: Greta Garbo Poster, Paris, 1932
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